Great Pianists of the 20th Century, Vol.52 - William Kapell (1999, Philips) 2 CD
For you, and remember this always, those of us with something urgent to say, we give everything.”
- William Kapell
Great Pianists of the 20th Century, Vol.52 - William Kapell (1999, Philips, 2CDs)
CD1
Sergei Rachmaninov (1873-1943) - Piano Concerto No.2 in C minor, Op.18
(Mono Rec. 1950/William Kapell-piano, William Steinberg-maestro, Robin Hood Dell Orchestra)
1. I. Moderato
2. II. Adagio sostenuto
3. III. Allegro scherzando
Sergei Prokofiev (1891-1953) - Piano Concerto No.3 in C major, Op.26
(Mono Rec. 1949/William Kapell-piano, Antal Dorati-maestro, Dallas Symphony Orchestra)
29. I. Andante. Allegro
30. II. Tema con variazion
31. III. Allegro ma non troppo
CD2
J. S. Bach (1685-1750) - Patita No.4 in D major, BMV 828
(Mono Rec. 1952/William Kapell-piano)
1. I. Overture
2. II. Allemande
3. III. Courante
4. IV. Aria
5. V. Sarabande
6. VI. Menuet
Frederic Chopin (1810-1849) - Piano Sonata No.3 in B minor
(Mono Rec. 1951/William Kapell-piano)
7. I. Allegro maestoso
8. II. Scherzo. Molto vivace
9. III. Largo
10. IV. Finale. Presto non tanto
11. Isaac Albeniz (1860-1909) - Iberia, Book 1 - Evocation
(Mono Rec. 1945/William Kapell-piano)
Franz Liszt (1811-1886) - Annees de pelerinage - Deuxieme annee. Italie
(Mono Rec. 1945/William Kapell-piano)
12. Sonetto 104 del Petrarca
13. Hungarian Rhapsody No.11
14. “Mephisto” Waltz No.1
William Kapell (1922-1953) was an American pianist.
Kapell was born in New York City. His father was of Spanish-Russian Jewish ancestry and his mother of Polish descent. There he studied with Dorothea Anderson La Follette, then with Olga Samaroff in Philadelphia and at the Juilliard School.
Kapell won his first competition at the age of ten. The prize was a turkey dinner with the pianist José Iturbi. In 1941, he won the Philadelphia Orchestra's youth competition and the Naumburg Award. The following year, the Walter W. Naumburg Foundation sponsored the 19 year old pianist's New York début which brought him The Town Hall Award for the year's outstanding concert by a musician under 30. He was immediately signed to an exclusive recording contract with RCA.
Kapell had achieved fame while in his early twenties, most especially by his performances of Khachaturian's Piano Concerto in D flat, his world premiere recording of which was an enormous hit. [Eventually, he became so associated with the concerto that he was nicknamed "Khachaturian Kapell". Besides his exciting pianism, Kapell's good looks and mop of unruly black hair helped make him a hit with audiences.
By the late 1940s, Kapell had toured the United States, Canada, Europe and Australia to immense acclaim and was widely considered the most brilliant and audacious of young American pianists. In 1947, he wed Rebecca Anna Lou Melson, with whom he had two children.
There was some tendency to typecast Kapell as a performer of flashy repertory. While his technique was exceptional, he was a versatile musician, and could also give memorably graceful performances of Mozart and Scarlatti. Kapell practiced up to eight hours a day, keeping track of his sessions with a notebook and clock. Kapell set aside time from his busy concert schedule to work with the artists he most admired, including Artur Schnabel, Pablo Casals, and Rudolf Serkin. He also approached Arthur Rubinstein and Vladimir Horowitz (who was a neighbor) for lessons, but they demurred. Horowitz later commented that there was nothing he could teach Kapell.
From August to October of 1953, Kapell toured Australia, playing 37 concerts in 14 weeks, appearing in Sydney, Melbourne, Bendigo, Shepparton, Albury, Horsham and Geelong. In Geelong, Kapell played his last performance on October 22, shortly before setting off on his return flight to the United States. The plane hit Kings Mountain, south of San Francisco, on the morning of October 29, 1953. None of the crew or passengers survived.
Isaac Stern set up the William Kapell Memorial Fund to bring notable musicians to the USA for wider experience. The Australian violinist Ernest Llewellyn, a long time friend of Stern's, was the inaugural recipient in 1955.
The fascination with Kapell's playing continues in the decades since after his death. Pianists such as Eugene Istomin, Gary Graffman, Leon Fleisher and Van Cliburn, and classical-fusion jazz pianist Suezenne Fordham, among others, have acknowledged Kapell's influence. Fleischer stated that Kapell was "the greatest pianistic talent that this country [The United States] has ever produced". Kapell's widow – Anna Lou Dehavenon, a social anthropologist in New York – was a factor in helping to keep her husband's name alive.
Kapell's estate sued BCPA, Qantas (which had taken over BCPA in 1954), and BOAC (which was alleged to have sold Kapell the ticket). In 1964 Kapell's widow and two children were awarded US$924,396 damages. In 1965 this award of damages was lost on appeal.
Recordings
Many of Kapell's recordings were originally issued as 78RPM records. Some were issued on LP, but by 1960, all of Kapell's commercial recordings were out of print. RCA reissued Beethoven's Concerto No. 2 and Prokofiev's Concerto No. 3 on LP in the early 1970s, and bootlegged copies of the commercial recordings and pirate recordings of "live" performances circulated among collectors.
In the 1980s, RCA released two compact discs of Kapell's recordings, including the Prokofiev Third and Khatchaturian piano concertos, and an all-Chopin disc.
A nine CD survey, The William Kapell Edition, released by RCA in 1998 contains all of the pianist's authorized recordings with that label, several previously unreleased tracks, and an interview. The set sold well internationally and sparked a revival of interest in Kapell's artistry.
In addition, recordings taken from radio broadcasts of live performances have been issued on several labels, including Kapell ReDiscovered, which documents his final appearances.
William Kapell in 1941
Discography
The listing below contains only Compact Disc releases and does not contain 78rpm, LP, Cassette, or 8-track tape releases.
Year of issue | Album title and details | Recording date(s) | Record label |
---|---|---|---|
2008 | Kapell ReDiscovered – The Australian Broadcasts (2 CDs)
|
1953 | RCA |
1998 | William Kapell Edition, Volume 1
|
1951-1952 | RCA |
1998 | William Kapell Edition, Volume 2
|
1945-1953 | RCA |
1998 | William Kapell Edition, Volume 3
|
1944-1951 | RCA |
1998 | William Kapell Edition, Volume 4
|
1945-1949 | RCA |
1998 | William Kapell Edition, Volume 5
|
1945-1953 | RCA |
1998 | William Kapell Edition, Volume 6
|
1945-1953 | RCA |
1998 | William Kapell Edition, Volume 7
|
1947-1950 | RCA |
1998 | William Kapell Edition, Volume 8
Frick Collection Recital- March 1, 1953
|
1953 | RCA |
1998 | William Kapell Edition, Volume 9
An Artist at Work
|
RCA | |
2000 | William Kapell in Performance
|
1949-1953 | Music & Arts |
1997 | Kapell in Recital
J. S. Bach: Nun komm der Heiden Heiland (arr. Busoni) |
1937-1951 | Arbiter |
1996 |
|
Pearl | |
2002 | Unissued Broadcasts
|
1944-1951 | Music & Arts |
1994 | Broadcast Performances, Volume 1
|
1945-1948 | VAI Audio |
1995 | Broadcast Performances, Volume 2
|
1942-1953 | VAI Audio |
Great Pianists of the 20th Century, Vol.52 - William Kapell (1999, Philips, 2CDs)